{"id":943,"date":"2020-03-30T15:18:30","date_gmt":"2020-03-30T13:18:30","guid":{"rendered":"https:\/\/www.schabert.org\/?page_id=943"},"modified":"2026-02-05T09:27:06","modified_gmt":"2026-02-05T08:27:06","slug":"aufsaetze-buchkapitel","status":"publish","type":"page","link":"https:\/\/www.schabert.org\/fr\/ina\/bibliographie2\/aufsaetze-buchkapitel\/","title":{"rendered":"Aufs\u00e4tze und Buchkapitel"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=\u00a0\u00bb4\/5&Prime;][vc_column_text]<\/p>\n<h3><strong>Aufs\u00e4tze und Buchkapitel<\/strong><\/h3>\n<p>[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/5&Prime;][vc_raw_html]JTNDYSUyMG5hbWUlM0QlMjJhdWZzYWV0emUlMjIlM0UlM0MlMkZhJTNF[\/vc_raw_html][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1585580566192{padding-right: 100px !important;}\u00a0\u00bb][vc_column css=\u00a0\u00bb.vc_custom_1585580875333{padding-right: 50px !important;}\u00a0\u00bb][vc_column_text]\u201eGender Studies: die Wissenschaft der zwei Geschwindigkeiten\u201c, in:\u00a0Geschlechter-Revisionen: Zur Zukunft von Feminismus und Gender Studies in den Kultur- und Literaturwissenschaften, Hg. Sabine Lucia M\u00fcller &#038; Sabine Sch\u00fclting, K\u00f6nigstein\/Taunus: Ulrike Helmer 2006, S. 44-57.[\/vc_column_text][vc_gallery type=\u00a0\u00bbimage_grid\u00a0\u00bb images=\u00a0\u00bb1035,1036&Prime; img_size=\u00a0\u00bbmedium\u00a0\u00bb][vc_btn title=\u00a0\u00bbBuchbestellung\u00a0\u00bb i_icon_fontawesome=\u00a0\u00bbfas fa-shopping-cart\u00a0\u00bb add_icon=\u00a0\u00bbtrue\u00a0\u00bb custom_onclick=\u00a0\u00bbtrue\u00a0\u00bb link=\u00a0\u00bburl:https%3A%2F%2Fwww.amazon.de%2Fdp%2F3897412063%2Fref%3Dcm_sw_em_r_mt_dp_U_ZuJGEbGWXZB2G%20||target:%20_blank|rel:nofollow\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1585591615379{margin-top: -30px !important;padding-top: 0px !important;}\u00a0\u00bb][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eIn-Between: Forschungsdefizite zwischen Literaturdidaktik und Literaturwissenschaft?\u201c, in:\u00a0Fremdsprachendidaktik im 20. Jahrhundert, Hg. Sabine Doff &#038; Anke Wegner, Berlin: Langenscheidt 2006, S. 19-28.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eFiguren der Macht:\u00a0Othello\u00a0als Spiel der Geschlechter\u201c, in: Schauspielhannover, Spielplan 06\/07, S. 8-9.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eDie verfolgte Unschuld\u201c, in:\u00a0Mythen Europas: Schl\u00fcsselfiguren der Imagination. Vom Barock bis zur Aufkl\u00e4rung, Hg. Andreas Hartmann &#038; Fritz Neumann, Regensburg, Friedrich Pustet 2007, S. 166-187.[\/vc_column_text][vc_gallery type=\u00a0\u00bbimage_grid\u00a0\u00bb images=\u00a0\u00bb1071,1072&Prime; img_size=\u00a0\u00bbmedium\u00a0\u00bb][vc_btn title=\u00a0\u00bbBuchbestellung\u00a0\u00bb i_icon_fontawesome=\u00a0\u00bbfas fa-shopping-cart\u00a0\u00bb add_icon=\u00a0\u00bbtrue\u00a0\u00bb custom_onclick=\u00a0\u00bbtrue\u00a0\u00bb link=\u00a0\u00bburl:https%3A%2F%2Fwww.amazon.de%2Fdp%2F3791719386%2Fref%3Dcm_sw_em_r_mt_dp_U_qwJGEbGQJD28C%20||target:%20_blank|rel:nofollow\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1585591737036{margin-top: -30px !important;padding-top: 0px !important;}\u00a0\u00bb][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eUnterricht in der Literatur: Ein Paradox\u201c, in:\u00a0Literatur in Wissenschaft und Unterricht\u00a040, 1-2 (2007) 101-113.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eLesen wie ein Brief gelesen wird: Zu den politischen und poetologischen Implikationen von Jane Austens\u00a0Pride and Prejudice, Bk.II, Chapt. 12-13\u201c, in:\u00a0Literaturwissenschaftliches Jahrbuch\u00a049 (2008) 129-143.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eEdna St. Vincent Millay\u201c, Nachwort zu\u00a0Love is not all: Gedichte Amerikanisch und Deutsch, \u00fcbersetzt von G\u00fcnter Plessow. Basel: Urs Engeler Editor 2008, S. 213-225[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eEine Literaturwissenschaft f\u00fcr den \u201agebildeten Laien&rsquo;\u201c, in:\u00a0Wolfgang Clemen, hg. Schabert, 2009, S. 187-201.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eNarrative and Gender in Literary Histories\u201c, in:\u00a0Comparative Critical Studies\u00a06,2 (2009) 149-164.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eDer absolute Herrscher und das absolute Ich\u201c, in: Programmheft zu\u00a0Richard II, Thalia Theater Hamburg 2009, S. 14-24.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eShakespeare macht ein Nickerchen: Sonett 130\u201c, in:\u00a0Das \u00fcbersch\u00e4tzte Kunstwerk: Literatur \u2013 Film \u2013Kunst, hg. Hans-Peter Rodenberg, Berlin: LIT 2010, S. 21-35.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eTranslation Trouble: Gender Indeterminacy in English Novels and Their French Versions\u201c, in:\u00a0Translation and Literature 19,1 (2010) 72-92.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eThe Theatre in the Head: Performances of the Self for the Self by the Self\u201c, in: Solo Performances: Staging the Early Modern Self in England, hg. Ute Berns, Amsterdam: Rodopi 2010, S. 33-48.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201c\u2019To make frequent assemblies, associations, and combinations amongst our sex\u2018: Nascent Ideas of Female Bonding in Seventeenth-Century England\u201c, in:\u00a0Women Writing Back\/ Writing Women Back,\u00a0Hg. Anke Gilleir, Alicia Montoya &#038; Suzan van Dijk, Brill: Leiden-Boston 2010, S. 73-92.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]Besprechung: British Women Poets of the Long Eighteenth Century, eds. Paula R. Backscheider &#038; Catherine E. Ingrassia, Baltimore: Johns Hopkins 2009, in:\u00a0Eighteenth Century Studies, 43,4 (Summer 2010), S. 534-538.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201c\u2018Ceci est une femme\u2018: Wie das b\u00fcrgerliche Illusionstheater die Illusion essentieller Weiblichkeit zerst\u00f6rt\u201c, in:\u00a0Geschlechter \u2013 Spiel \u2013 R\u00e4ume, Hg. Gaby Pailer &#038; Franziska Sch\u00f6\u00dfler, Amsterdam: Rodopi 2011, S. 223-239.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eDie Frau als Intellektuelle im England des sp\u00e4ten 17. und des 18. Jahrhunderts\u201c, in:\u00a0Kritik in der Fr\u00fchen Neuzeit: Intellektuelle avant la lettre, hg. Rainer Bayreuther u. a., Wolfenb\u00fctteler Forschungen, Wiesbaden: Harrassowitz 2011, S. 191-216.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eLese-Logos\u201c, in:\u00a0Don Quijotes intermediale Nachleben\/Don Quixote`s Intermedial Afterlives, Hg.\u00a0Ina Detmers &#038; Wolfgang G. M\u00fcller, Trier: Wissenschaftlicher Verlag 2011, S. 259-274.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201cHis laughter at their quaint opinions wide: Shakespeare and the\u00a0agelasts\u201d, in:\u00a0Anglistik\u00a022, 2 (September 2011):\u00a0Focus on Fundamentalism, hg. Norbert Lennartz, S. 21-33.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201e\u2018To come out roughly on the other side\u2018: Die Ethik der Fiktion und der englische Gegenwartsroman\u201c, in:\u00a0Literaturwissenschaftliches Jahrbuch\u00a052\u00a0(2011) 359-371.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eShakespeare\u201c, in:\u00a0Europ\u00e4ische Erinnerungsorte, 3 Bde., Hg. Pim den Boer &#038; Heinz Duchhardt &#038; Georg Kreis und Wolfgang Schmale, Band 2:\u00a0Das Haus Europa, M\u00fcnchen: Oldenbourg 2012, S. 211-219.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]Vorwort zu: Elizabeth Barrett Browning,\u00a0Sonnets from the Portuguese, ins Deutsche \u00fcbertragen von Ingeborg Vetter, Dozwil: Edition Signathur 2012, S. 9-21.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eLuder haben kurze Haare: Zur Symbolik abgeschnittener Locken\u201c, in:\u00a0Rebellisch \u2013 verzweifelt \u2013 infam: Das b\u00f6se M\u00e4dchen als \u00e4sthetische Figur, hg. Renate M\u00f6hrmann, Bielefeld: Aisthesis 2012, S. 155-170.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eThe Appeal of the Forbidden: Suggestions for a Different Approach to Literature\u201d, in:\u00a0Anglistik, 23, (2012) 129-134.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eDreidimensionale Texte: Kreuzungen von Erz\u00e4hlprosa und Sonett\u201c, in:\u00a0Sonett-K\u00fcnste: Mediale Transformationen einer klassischen Gattung, Hg. Erika Greber &#038; Evi Zemanek, Dozwil: Edition Signathur 2012, S. 83-10.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]Zusammen mit Evi Zemanek und Wolfgang M\u00fcller: \u201eGeheimer Zauber: Erika Greber und das Sonett\u201c, in:\u00a0Sonett-K\u00fcnste, S. 529-538.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eWeiblicher Held oder Heldin? Die heroische Frau in der Imagination der Shakespeare-Zeit\u201c, in:\u00a0Heroen und Heroisierungen in der Renaissance, Hg. Achim Aurnhammer &#038; Manfred Pfister, Wiesbaden: Harrassowitz 2013, S. 27-44.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eDes femmes en litt\u00e9rature anglaise et litt\u00e9rature fran\u00e7aise (XVIIe-XIXe si\u00e8cle). Quelques perspectives sur une histoire compar\u00e9e\u201c, in:\u00a0Pour une histoire genr\u00e9e des litt\u00e9ratures romanes, Hg. Annette Keilhauer &#038; Lieselotte Steinbr\u00fcgge, \u00c9ditions Lendemains 32, T\u00fcbingen: Narr 2013, S. 105-118.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eDer Auszug aus dem Gender-Ghetto\u201c, in\u00a0attempto: Forum der Universit\u00e4t T\u00fcbingen, Dezember 2013, S. 2-3.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201cZwischen Wissenslust und Ordnungszwang: Eschenburgs Dilemma\u201c, in:\u00a0Johann Joachim Eschenburg und die K\u00fcnste und Wissenschaften zwischen Aufkl\u00e4rung und Romantik: Netzwerke und Kulturen des Wissens, Hg. Cord-Friedrich Berghahn &#038; Till Kinzel, Heidelberg: Universit\u00e4tsverlag Winter 2013, S. 17-30.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eThe Play`s the Thing\u00b4\u201c: George Sand`s\u00a0Hamlet\u00a0novel\u201c, in:\u00a0Poetica\u00a045, iii-iv (2013) 333-346.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eDie Erfindung des\u00a0Homme fatal: Jacqueline Harpmans Roman\u00a0La Plage d`Ostende\u201c, in:\u00a0Frauenphantasien: Der imaginierte Mann im Werk von Film- und Buchautorinnen, Hg. Renate M\u00f6hrmann, Stuttgart: Kr\u00f6ner 2014, S. 462-482.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201cFrom Feminist to Integrationist Literary History: 18th Century Studies 2005-2013\u2033, in:\u00a0Literature Compass\u00a011\/19 (2014), S. 667-676.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201e\u2018Grandisonische H\u00e4ndel\u2018 in Kargfeld: Musaeus\u2018 Fortsetzung von Richardsons Roman\u00a0The History of Sir Charles Grandison,\u201c in:\u00a0Gastlichkeit und \u00d6konomie: Wirtschaften im deutschen und englischen Drama des 18. Jahrhunderts, Hg. Sigrid Nieberle &#038; Claudia Nitschke, Berlin: de Gruyter 2014, S. 247-265.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eErsehnter Geliebter oder \u201aerztugendhafte Marionette\u2018: Geschlechterspezifische Reaktionen auf Sir Charles Grandison\u201c, in:\u00a0Empathie, Sympathie und Narration: Rezeptionslenkung in Prosa, Drama und Film.\u00a0Hg. Caroline Lusin, Heidelberg: Universit\u00e4tsverlag Winter, 2015, S. 225-239.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eShakespeares Hamlet und die Frauen: Rezeptionsgeschichte als Emanzipationsgeschichte\u201c, in:\u00a0Shakespeare im Spiegelkabinett: Zur produktiven Vielfalt seiner Rezeption, Hg. Sarah Alam &#038; Barbara Schaff, G\u00f6ttingen: Universit\u00e4tsverlag 2016, S. 9-31.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201cSchreiben gegen die Grammatik. Geschlechtsambivalenz in franz\u00f6sischen Romanen und in ihren englischen bzw. deutschen \u00dcbersetzungen\u201c, in:\u00a0Form und Funktion: Festschrift f\u00fcr Angelika Redder zum 65. Geburtstag, Hg. Arne Krause u. a., T\u00fcbingen: Stauffenberg 2017, S. 363-378.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]Gender Ambiguity vs. Linguistic Gendering: A Challenge to Literary Translation\u201c, in:\u00a0Refracciones \/ R\u00e9fractions, Hg. Annette Keilhauer und Andrea Pagni, Wien: LIT 2017, S. 117-132.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eDas Loch im Text: Die elliptische Rhetorik der Defloration\u201c, in:\u00a0\u201eDa ist denn auch das Bl\u00fcmchen weg\u201c: Die Entjungferung \u00a0\u2013 Fiktionen der Defloration, Hg. Renate M\u00f6hrmann, Stuttgart: Kr\u00f6ner 2017, S. 479-501.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u00ab\u00a0D\u00e9sexualiser l`\u00e9criture: romans et traductions \u00e9pic\u00e8nes\u00a0\u00bb, in:\u00a0<a href=\"https:\/\/www.en-attendant-nadeau.fr\/2017\/08\/01\/roman-traduction-genre\/\" target=\"_blank\" rel=\"noopener noreferrer\">En attendant Nadeau<\/a>: Journal de la litt\u00e9rature et des id\u00e9es, No. 37.2 (2017).[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201cGender and Class\u201d, in: Handbook of British Romanticism, Hg. Ralf Haekel, Berlin \u2013 Boston: De Gruyter 2017, S. 49-66.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eDie Dichter und ihr Architekt: G\u00fcnter Plessow rekonstruiert elisabethanische Sonettzyklen\u201c, in:\u00a0Shakespeare Jahrbuch\u00a0153 (2017) 155-162.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eA Dialogue on Dialogue Sonnets\u201c, in:\u00a0Das Dialoggedicht. Studien zur deutschen, englischen, und romanischen Lyrik, hg. Ch. J. Bischoff, Till Kinzel &#038; Jarmila Mildorf, Heidelberg: Universit\u00e4tsverlag Winter 2017, S. 201-218.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eViel L\u00e4rm um\u00a0Noise: die Aktualit\u00e4t von Shakespeares Caliban\u201c, in:\u00a0Unlaute: Noise \/ Ger\u00e4usche in Kultur, Medien und Wissenschaften seit 1900, Hg. Sylvia Mieszkowski &#038; Sigrid Nieberle, Bielefeld: transcript 2017, S. 261-276.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eTrading and Translating: English Literature in Rouen, 1730-56\u201c, in:\u00a0Translation and Literature, 26, 3 (Autumn 2017) 273-294.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201ePortrait du Traducteur en Escroc. By Bernard Hoepffner\u201c, in:\u00a0Translation and Literature, 27, 3 (Autumn 2018), 395-401.[\/vc_column_text][vc_column_text]\u201cFictions of Sexual Amnesia\u201c, in:\u00a0Beyond Gender. An Advanced Introduction to Futures of Feminist and Sexuality Studies, Hg. Greta Olson et al., London: Routledge 2018, S. 139-154.[\/vc_column_text][vc_column_text]\u00ab\u00a0Anne-Marie du Boccage`s\u00a0La Colombiade\u00a0(1756). A European Poem\u201c, in:\u00a0Comparatio, 10, 1 (2018) 1-18.<\/p>\n<p>&nbsp;<\/p>\n<p>\u00ab\u00a0The Self and the City in Philippe Delerm`s Novel Quelque chose en lui de Bartleby\u00a0\u00bb, in: Urban Walking &#8211; The Flaneur as an Icon of Metropolitan Culture in Literature and Film, hg. Oliver Bock &#038; Isabel Vila-Cabanes, Wilmington: Vernon Press 2020, pp. 119-132.<\/p>\n<p>&nbsp;<\/p>\n<p>\u00ab\u00a0Sous un ciel \u00e9lisab\u00e9thain: Mich\u00e8le Le Doeuff et Shakespeare\u00a0\u00bb, in: Se reorienter dans la pens\u00e9e &#8211; Femmes, Philosophie et Arts. Autour de Mich\u00e8le Le Doeuff, hg. Jean-Louis Jeannelle &#038; Audrey Lasserre, Rennes: Presses Universitaires de Rennes 2020, pp. 123-132.<\/p>\n<p>&nbsp;<\/p>\n<p>\u00ab\u00a0Utopias of Female Government\u00a0\u00bb, in: Feministische Aufkl\u00e4rung in Europa\/The Feminist Enlightenment across Europe, hg. Isabel Karreman &#038; Gideon Stiening, Aufkl\u00e4rung: Interdiziplin\u00e4res Jahrbuch, Bd. 32, Hamburg: Felix Meiner Verlag 2020, S. 87-101.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]Weltuntergang mit Zuschauer. \u00dcber Mary Shelleys Endzeitroman `Der letzte Mensch\u00b4\u00a0\u00bb, in: Soziopolis, 28. April 2021 (<a href=\"https:\/\/www.schabert.org\/wp-content\/uploads\/2021\/06\/Weltuntergang-mit-Zuschauer.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">PDF<\/a>)[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eEnglish Fiction in France: A Cross-Channel Dialogue at the Turn of the Twenty-first Century\u201d, in: Nottingham French Studies , 61, (Spring 2022) 45-59.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201cChristian Wei\u00dfe the Translator: Cultural Transfer and Literary Entrepreneurship in the Enlightenment by Tom Zille\u201d, Besprechungsaufsatz in: Translation and Literature 31,1 (2022), 94-99.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u00a0\u00bbInformationssicherheit versus Wissenschaftsdynamik: 50 Jahre Shakespeare Handbuch\u201c, in: Shakespeare Jahrbuch, Bd. 158 (2022), 155-163.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text] \u201eEarly Modern German Shakespeare: Titus Andronicus and The Taming of the Shrew \/ Tito Andronico and Kunst \u00fcber alle K\u00fcnste, ein b\u00f6s Weib gut zu machen\u201c. Edited by Lukas Erne, Florene Hazrat, and Maria Smygol,\u201c Besprechungsaufsatz in: Translation and Literature 31,2 (2022), 289-294.<br \/>\n[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201dSprachbarriere und Kulturdifferenz in der Kolumbus-Epik des 18. Jahrhunderts\u201c, in: Germanisch-Romanische Monatsschrift (2022) Heft 2, 159-174.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201cThe Novel and Liberty: Individual Freedom and Civic Order\u201d, in: Handbook of the British Novel in the Long Eighteenth Century,<i> <\/i>Hg. Katrin Berndt and Alessa Johns, Berlin: De Gruyter 2022. S. 21-40.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eClemen, Wolfgang\u201c in: NDB-online, ver\u00f6ffentlicht am 01.01.2023<br \/>\nURL: <a class=\"moz-txt-link-freetext\" title=\"https:\/\/www.deutsche-biographie.de\/116543167.html#dbocontent\" contenteditable=\"false\" href=\"https:\/\/www.deutsche-biographie.de\/116543167.html#dbocontent\" target=\"_blank\" rel=\"noopener\">https:\/\/www.deutsche-biographie.de\/116543167.html#dbocontent<\/a>[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb4\/5&Prime;][vc_column_text]<\/p>\n<h3><strong>Reprints<\/strong><\/h3>\n<p>[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/5&Prime;][vc_raw_html]JTNDYSUyMG5hbWUlM0QlMjJhdWZzYWV0emUlMjIlM0UlM0MlMkZhJTNF[\/vc_raw_html][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1585580566192{padding-right: 100px !important;}\u00a0\u00bb][vc_column css=\u00a0\u00bb.vc_custom_1585580875333{padding-right: 50px !important;}\u00a0\u00bb][vc_column_text]Reprint: \u201eDie verfolgte Unschuld\u201c (aus Mythen Europas: Schl\u00fcsselfiguren der Imagination. Vom Barock bis zur Aufkl\u00e4rung) Nachdruck in:\u00a0Menschen, die Geschichte schreiben, hg. A. Hartmann &#038; F. Neumann, Wiesbaden: Marix 2014, S. 185-208.[\/vc_column_text][vc_gallery type=\u00a0\u00bbimage_grid\u00a0\u00bb images=\u00a0\u00bb1071,1072&Prime; img_size=\u00a0\u00bbmedium\u00a0\u00bb][vc_btn title=\u00a0\u00bbBuchbestellung\u00a0\u00bb i_icon_fontawesome=\u00a0\u00bbfas fa-shopping-cart\u00a0\u00bb add_icon=\u00a0\u00bbtrue\u00a0\u00bb custom_onclick=\u00a0\u00bbtrue\u00a0\u00bb link=\u00a0\u00bburl:https%3A%2F%2Fwww.amazon.de%2Fdp%2F3791719386%2Fref%3Dcm_sw_em_r_mt_dp_U_qwJGEbGQJD28C%20||target:%20_blank|rel:nofollow\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1585591737036{margin-top: -30px !important;padding-top: 0px !important;}\u00a0\u00bb][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]Reprint: \u201eFictional Biography, Factual Biography, and their Contaminations\u201c, in:\u00a0Biographical Fiction: A Reader, ed. Michael Lackey, New York: Bloomsbury 2017, S. 284-298 (Reprint from:\u00a0Biography, 5 [1982] 1-16).[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=\u00a0\u00bb4\/5&Prime;][vc_column_text] Aufs\u00e4tze und Buchkapitel [\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/5&Prime;][vc_raw_html]JTNDYSUyMG5hbWUlM0QlMjJhdWZzYWV0emUlMjIlM0UlM0MlMkZhJTNF[\/vc_raw_html][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1585580566192{padding-right: 100px !important;}\u00a0\u00bb][vc_column css=\u00a0\u00bb.vc_custom_1585580875333{padding-right: 50px !important;}\u00a0\u00bb][vc_column_text]\u201eGender Studies: die Wissenschaft der zwei Geschwindigkeiten\u201c, in:\u00a0Geschlechter-Revisionen: Zur Zukunft von Feminismus und Gender<span class=\"excerpt-hellip\"> [\u2026]<\/span><\/p>\n","protected":false},"author":3,"featured_media":99,"parent":938,"menu_order":233,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-943","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Aufs\u00e4tze und Buchkapitel<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.schabert.org\/fr\/ina\/bibliographie2\/aufsaetze-buchkapitel\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:locale:alternate\" content=\"de_DE_formal\" \/>\n<meta property=\"og:locale:alternate\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" 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