{"id":756,"date":"2020-03-27T19:09:36","date_gmt":"2020-03-27T18:09:36","guid":{"rendered":"http:\/\/dev6.www.schabert.org\/?page_id=756"},"modified":"2020-03-31T14:28:18","modified_gmt":"2020-03-31T12:28:18","slug":"aufsaetze-buchkapitel","status":"publish","type":"page","link":"https:\/\/www.schabert.org\/fr\/ina\/bibliographie1\/aufsaetze-buchkapitel\/","title":{"rendered":"Aufs\u00e4tze und Buchkapitel"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=\u00a0\u00bb4\/5&Prime;][vc_column_text]<\/p>\n<h3><strong>Aufs\u00e4tze und Buchkapitel<\/strong><\/h3>\n<p>[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/5&Prime;][vc_raw_html]JTNDYSUyMG5hbWUlM0QlMjJiZXNwcmVjaHVuZ3NhdWZzYWV0emUlMjIlM0UlM0MlMkZhJTNF[\/vc_raw_html][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1585580566192{padding-right: 100px !important;}\u00a0\u00bb][vc_column css=\u00a0\u00bb.vc_custom_1585580875333{padding-right: 50px !important;}\u00a0\u00bb][vc_column_text]\u201eDer dramatische Stil\u201c, in: Shakespeare-Handbuch, 1972, S. 243-327.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eF\u00e9nelon\u201c, in: Aufbruch zur Moderne: Politisches Denken im Frankreich des 17.Jahrhunderts, hg. Tilo Schabert, M\u00fcnchen: List 1974, S. 82-113.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eWerbung als Provokation der Lyrik: Studien zur Interrelation von Dichtung und Werbung\u201c, in: Poetica 7 (1975) 74-98.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eZum Reimgebrauch in Shakespeares Dramen: reimende Personen und reimender Autor\u201c, in: (Shakespeare Jahrbuch West) (1977) 84-96.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eZur Ideologie der poetischen Sprachstrukturierung: George Herbert und Byron\u201c, in: Anglia 96 (1978) 387-408.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eDie Welt der Dramen\u201c, in: Shakespeare-Handbuch, 1978, S. 338-373.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201e\u2018Comme les g\u00e9ants plong\u00e9s dans les ann\u00e9es\u2018: die historische Dimension in Romanen der englischen Romantik\u201c, in: Poetica 11 (1979) 124-148.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eWo stehen wir in der Clemen-Forschung?\u201c, in:\u00a0Nugae Clementinae. Wolfgang Clemen zum Siebzigsten, hg. U. Broich u.a., M\u00fcnchen: Privatdruck 1979, S. 1-11[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eFictional Biography, Factual Biography, and their Contaminations\u201c, in: Biography 5 (1982) 1-16.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eDer werkgenetische Aspekt: Shakespeares Dramen im Vergleich zu ihren Quellen,\u201c in: Shakespeare: Didaktisches Handbuch, 3 Bde., hg. R. Ahrens, M\u00fcnchen: Wilhelm Fink 1982, S. 761-778.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eDas utopische Mittelalter in der historischen Erz\u00e4hlliteratur,\u201c in: Alternative Welten, hg. M. Pfister, M\u00fcnchen: Wilhelm Fink 1982, S.179-196.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eLiberales Denken und repressive \u00e4sthetische Gestaltung: Zur Poetik von Byron und Auden,\u201c in: Byron-Symposium Mannheim 1982, hg. W. Huber &#038; R. Sch\u00f6werling, Paderborn 1983, S. 162-177[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eInterauktorialit\u00e4t\u201c, in: Deutsche Vierteljahrsschrift f\u00fcr Literaturwissenschaft und Geistesgeschichte, 57 (1983) 679-701.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eThe Treatment of Legitimacy in Historical Fiction\u201c, in: Legitimacy\/ L\u00e9gitimit\u00e9, hg. A. Moulakis, Berlin: de Gruyter 1986, S. 79-86.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eShakespeare als politischer Philosoph: Sein Werk und die Schule von Leo Strauss\u201c, in: Shakespeare Jahrbuch(West) (1986) 7-25.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eDie Trennung von naturwissenschaftlicher und dichterischer Wahrheit im England des 17.Jahrhunderts\u201c, in: Res Publica Litteraria: Die Institutionen der Gelehrsamkeit in der fr\u00fchen Neuzeit, hg. S. Neumeister &#038; C. Wiedemann, 2 Bde. Wiesbaden: Otto Harrassowitz 1987, Bd.I, S. 349-364[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eShakespeares Geschichtsvisionen in romantischen Brechungen\u201c, in: Das Shakespeare-Bild in Europa zwischen Aufkl\u00e4rung und Romantik, hg. Roger Bauer, Bern: Peter Lang 1988, S. 60-76.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eIs Intuition Analyzable? An Enquiry into the Spontaneous Emergence of Interpersonal Knowledge, with Reference to Literary Biography\u201d, in: Biography East and West, ed. Carol Ramelb, Honolulu: University of Hawaii 1989, S.148-154.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eA Literature of the Other: Die Tradition des male feminism und George Meredith, The Egoist\u201c, in: Frauen und Frauendarstellung in der englischen und amerikanischen Literatur, hg. Th. Fischer-Seidel, T\u00fcbingen: Gunter Narr 1991, S. 235-256.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eCreative Reading : Vom Erkenntniswert des kreativen Lesens\u201c, in: Wozu Literatur\u00adwissenschaft? Kritik und Perspektiven, hg. F. Griesheimer &#038; A. Prinz, T\u00fcbingen: Francke 1991, S. 233-259.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eFeminismus\u201c, in: Shakespeare Jahrbuch (West) (1992) 124-141.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eThe Authorial Mind and the Question of Gender\u201c, in: Telling Stories: Studies in Honour of Ulrich Broich, hg. E. Lehmann, B. Lenz, Amsterdam: B. R. Gr\u00fcner 1992, S. 312-328.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eBuchst\u00e4blicher Doppelsinn: Bildbuchstaben und Text\u201c, in: Bild und Text im Dialog, hg. K. Dirscherl, Passau: Wissenschaftsverlag Rothe 1993, S. 129-144.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201ePluralismus und Macht\u201c, in: Jahrbuch der Deutschen Schillergesellschaft 37 (1993) 453-456.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eAmazonen der Feder und verschleierte Ladies: Schreibende Frauen im England der Aufkl\u00e4rung und der nachaufkl\u00e4rerischen Zeit\u201c, in: Autorschaft: Genus und Genie in der Zeit um 1800, Hg. Schabert &#038; Schaff, Berlin 1994, S. 105-124.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201ePolitical Shakespeare: West Germany, 1970-1990\u201c, in: Shakespeare and Cultural Traditions, hg. Tetsuo Kishi u.a., Newark: University of Delaware 1994, S. 285-294.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eDas Doppelleben der Menschenbuchstaben\u201c, in: Zeichen zwischen Klartext und Arabeske, hg. S. Kotzinger &#038; G. Rippl, Amsterdam: Rodopi 1994, S. 95-106.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eGender als Kategorie einer neuen Literaturgeschichtsschreibung\u201c, in: Genus: Zur Geschlechterdifferenz in den Kulturwissenschaften, hg. Hadumod Bu\u00dfmann &#038; Renate Hof , Stuttgart: Kr\u00f6ner Verlag 1995, S. 162-205. [Russische \u00dcbersetzung in einem von Elisabeth Cheaur\u00e9 herausgegebenen Sammelband Moskau 1999].[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eDie Postmoderne und danach: Geschichtserfahrung im englischen Roman der Gegenwart\u201c, in: \u00c4sthetik der Geschichte, hg. Johann Holzner &#038; Wolfgang Wiesm\u00fcller, Innsbruck 1995, S. 213-238.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eB\u00fcrgerinnen in der Republik des Geistes?: Gelehrte Frauen im England der Aufkl\u00e4rung\u201c, in: Querelles 1 (1996) 77-104[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eDer gesellschaftliche Ort weiblicher Gelehrsamkeit: Akademieprojekte, utopische Visionen und praktizierte Formen gelehrter Frauengemeinschaft in England 1660-1800\u201c, in: Europ\u00e4ische Soziet\u00e4tsbewegung und demokratische Tradition, hg. Klaus Garber &#038; \u00a0Heinz Wismann, T\u00fcbingen 1996, Bd.1, S. 755-789.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eM\u00e4nnertheater\u201c, in: Shakespeare Jahrbuch 134 (1998) 11-28.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eK\u00f6rperalphabete, Modealphabete und die somatographische Kunst von Ert\u00e9\u201c, in: Mode, Weiblichkeit und Modernit\u00e4t, hg. Gertrud Lehnert, Dortmund: edition ebersbach 1998, S. 62-85.\u00a0 \u201eErnst Leisi: Portr\u00e4tskizzen zu seinem 80. Geburtstag am 29. Juni 1998\u201c, in: Anglistik 9,ii (1998) 233-241.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eArtegall unter Radigund\u201c oder: \u201eDer Dichter, der wie eine Frau schreiben mu\u00df\u201c, in: Geschlechterperspektiven: Forschungen zur Fr\u00fchen Neuzeit, hg. Heide Wunder &#038; Gisela Engel, K\u00f6nigstein Ts.: Ulrike Helmer Verlag 1998, S. 194-204.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eEros und Erotik: Das Modell Corinne\u201c, in: Gender \u2013 Culture \u2013 Poetics: Zur Geschlechterforschung in der Literatur- und Kulturwissenschaft, Festschrift f\u00fcr Natascha W\u00fcrzbach, hg. Andrea Gutenberg &#038; Ralf Schneider, Wissenschaftlicher Verlag Trier, 1999, S. 13-30.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eDas Literarische als Differenzkategorie\u201c, in: Differenzen in der Geschlechterdifferenz \u2013 Difference within Gender Studies, hg. Kati R\u00f6ttger und Heike Paul, Berlin: Erich Schmidt Verlag 1999, S. 333-346.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eAn Amazon in Venice: Vernon Lee\u2019s \u201aLady Tal\u2018, in: Venetian Views, Venetian Blinds: English Fantasies of Venice,hg. Manfred Pfister &#038; Barbara Schaff, Amsterdam: Rhodopi 1999, S. 155-168.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eEine alternative Welt erdenken: Weibliche Utopien in der Literatur\u201c, in: Schlangenbrut: Zeitschrift f\u00fcr feministisch und religi\u00f6s interessierte Frauen, 18. Jg., Mai 2000, S. 31-34.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201e\u00dcber das Vergn\u00fcgen feministischer Literaturgeschichtsforschung\u201c, in: Frauen in Kultur und Gesellschaft, hg. Renate von Bardeleben, Stuttgart: Stauffenburg 2000, S. 1-17.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eDie theaterbezogene Kunst\u201c, in: Shakespeare-Handbuch, hg. Schabert 2000, S. 234-298.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eDie Rezeption Shakespeares in Gro\u00dfbritannien und den USA\u201c, in: Shakespeare Handbuch hg. Schabert, 2000, S. 611-634.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eMary Astell (1666-1731)\u201c, in: Englische Frauen der Fr\u00fchen Neuzeit: Dichterinnen, Malerinnen, M\u00e4zeninnen, hg. Gesa Stedman, Darmstadt: Primus Verlag 2001, S. 177-192.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eHabeas Corpus: The Return of the Body\u201c, in: Britain at the Turn of the Twenty-First Century, hg. Ulrich Broich &#038; Susan Basnett, [Bd.16 von: European Studies: A Journal of European Culture, History and Politics], Amsterdam: Rodopi 2001, S. 87-116.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eBourgeois Counter-Art: Dolls in Victorian Culture\u201c, in: Anything Shows: Victorian Material Culture, ed. Kurt Tetzeli von Rosador, Themenheft Journal for the Study of British Cultures 8,2 (2001), S. 121-136. [erschienen 2002][\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eGeschlechtermaskerade\u201c, in: Die Sprache der Masken. Eranos Neue Folge Bd. 9, hg. Tilo Schabert, W\u00fcrzburg: K\u00f6nigshausen &#038; Neumann, 2002, S. 53-76.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eWombscapes: Abjektion in King Lear und Paradise Lost\u201c, in: Imaginationen des Anderen im 16. und 17. Jahrhundert, hg. Ina Schabert &#038; Michaela Boenke, Wiesbaden: Harrassowit2002, S. 141-158.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eDie Nachtseite der Seele: Literatur der schwarzen Romantik in England\u201c, in: Das schwierige Individuum: Menschenbilder im 19. Jahrhundert, hg. Verena Dolle, Regensburg: Friedrich Pustet 2003, S. 143-170.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eKirke beginnt zu reisen: Mary Kingsleys Travels in West Africa\u201c, in: Odysseen 2001: Fahrten \u2014 Passagen \u2014 Wanderungen, hg. Walter Erhart, Sigrid Nieberle, M\u00fcnchen: Wilhelm Fink 2003, S. 86-101.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eNo Room of One\u2019s Own: Women\u2019s Studies in English Departments in Germany\u201c, in: PMLA 119 (2004) 69-79.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eZweitausendeinhundertdrei\u201c. Festrede anl\u00e4\u00dflich der Festveranstaltung Einhundert Jahre akademische Bildung von Frauen in Bayern (18.9.2003), in: Unipress. Zeitschrift der Universit\u00e4t Augsburg, Januar 2004, S. 24-27.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eHardliners \u2013 Selbstzweifler \u2013 Traumt\u00e4nzer \u2013 Lesende: Literaturwissenschaftler und Literaturwissenschaftlerinnen im Zeitalter des Poststrukturalismus\u201c, in: Kulturwissenschaftliche Literaturwissenschaft, hg. Ansgar N\u00fcnning &#038; Roy Sommer, T\u00fcbingen: Gunter Narr 2004, S. 161-176.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eThe Lady`s Supper: Aemilia Lanyer`s Salve Deus Rex Judaeorum as a Female Celebration of the Eucharist\u201c, in: Performances of the Sacred in Late Medieaval and Early Modern England, hg. Susanne Rupp &#038; Tobias D\u00f6ring, Amsterdam: Rodopi 2005, S. 155-168.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eA Double-Voiced Discourse: Shakespeare Studies by Women in the Early 20th Century\u201c, in: Gendered Academia: Wissenschaft und Geschlechterdifferenz 1890-1945, hg. Sylvia Mieszkowski u.a., G\u00f6ttingen: Wallstein 2005, S. 255-278.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eGender als Kategorie einer neuen Literaturgeschichtsschreibung. Nachtrag:\u00a0Gender\u00a0und Literaturgeschichte 1993-2004\u2033, in: Geschlechterforschung: Gender Studies in den Kultur- und Sozialwissenschaften, hg. Hadumod Bu\u00dfmann &#038; Renate Hof, Stuttgart: Kr\u00f6ner 2005, S. 250-254, 260-262.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eIn-Between: Forschungsdefizite zwischen Literaturdidaktik und Literaturwissenschaft\u201c, in: Fremdsprachendidaktik im 20. Jahrhundert: Konstituierung einer wissenschaftlichen Disziplin im Spannungsfeld von Theorie und Praxis, hg. Sabine Doff, &#038;Anke Wegner, Berlin: Langenscheidt 2006, S. 19-28.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb style=\u00a0\u00bbdotted\u00a0\u00bb accent_color=\u00a0\u00bb#658290&Prime;][vc_column_text]\u201eGender Studies: die Wissenschaft der zwei Geschwindigkeiten\u201c, in:\u00a0Geschlechter-Revisionen: Zur Zukunft von Feminismus und Gender Studies in den Kultur- und Literaturwissenschaften, hg. 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